Fernando Távora’s Passion for the Antique
DOI:
https://doi.org/10.6092/issn.2611-0075/19798Keywords:
Fernando Távora, Antique, Reconstruction, Details, SketchesAbstract
The text discusses Fernando Távora’s deep passion for history and how it influenced his architectural work and worldview. Távora’s study of history, particularly Portuguese history, and his appreciation for the past’s connection to the present had a significant impact on his design philosophy. His approach to architecture was rooted in a rational interpretation of the past, allowing him to create modern designs while respecting historical and geographical contexts. Távora’s passion for history also influenced his teaching methods, shaping the pedagogy of the Porto School of Architecture for many years. Additionally, the text highlights his travels and his fascination with ancient objects and art, demonstrating how his love for history extended beyond academic pursuits.
Downloads
References
A cidade do Porto na obra do fotógrafo Alvão. 1872-1946. Porto: Edição da Fotografia Alvão, 1984.
Esposito, Antonio, and Leoni, Giovanni. Fernando Távora. Opera completa. Milan: Electa, 2005.
Faria da Cunha Pimentel, Jorge Miguel. “Obra pública de Rogério de Azevedo. Os anos do SPN/SNI e da DGEMN” (doctoral thesis in the Escuela Técnica Superior de Arquitectura, University of Valladolid, Tutors: Maria Helena Teixeira Maia, Ramón Rodriguez Llera).
Leal, João. “Fernando Távora sobre o Inquérito à Arquitectura popular em Portugal, interview with Fernando Távora (1996).” In Fernando Távora, “Minha casa”, edited by Manuel Mendes. Porto: FIMS, 2013.
Pires de Carvalho, Teresa, and Guimarães, Carlos, and Barroca, Mário Jorge. Bairro da Sé do Porto, contributo para a sua caracterização histórica. Porto: Câmara Municipal do Porto, 1996.
Siza, Álvaro, Doutoramento em Veneza, in Id., 01 Textos, edited by Carlos Campos Morais, 293-295. (Porto: Civilização Editora, 2009). Now published in this volume the english version and the portuguese original one as “The continuous construction of memories” and “Contínua construção de memórias de amanhã”, 6-11.
Souto de Moura, Eduardo. “Fernando Távora: ‘Ritratto dell’artista da giovane’.” In Eduardo Souto de Moura. Tutte le opere, edited by Antonio Esposito, Giovanni Leoni, Milan: Electa, 2012.
Tanizaki, Junichiro. In Praise of Shadows. (New York: Vintage classics, 2001). First published in 1933 in Japanese, In’ei Raisan.
Távora, Fernando. “O problema da casa portuguesa”, Aléo, no. 9 (November 1945).
Távora, Fernando. “O problema da casa portuguesa”, Cadernos de Arquitectura, no. 1 (1947).
Távora, Fernando. “Pensieri sull’architettura”, Casabella, no. 678 (April 2000), 14-17.
Távora, Fernando, and Siza, Álvaro. “Lavorare ‘insieme’: conversazione tra Álvaro Siza e Fernando Távora”, Casabella, no. 700 (May 2002), 54-57.
Távora, Fernando. Diário de “Bordo”, edited by Rita Marnoto, Matosinhos: Associação Casa da Arquitectura, 2012.
Trigueiros Luiz. Fernando Távora, Lisbon: Editorial Blau, 1993.
Távora, Fernando, Diário di bordo, edited by Antonio Esposito, Giovanni Leoni, Raffaella Maddaluno. Siracusa: LetteraVentidue, 2022.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Antonio Esposito
This work is licensed under a Creative Commons Attribution 4.0 International License.
