Profession: Távora

Authors

  • Jorge Figueira Centre for Social Studies, Department of Architecture, University of Coimbra

DOI:

https://doi.org/10.6092/issn.2611-0075/19734

Keywords:

Being Portuguese, Modernism, Pessimism, American Journey, Fernando Pessoa

Abstract

It is the decadence that Oswald Spengler predicts for after 2000 that Fernando Távora already encounters at every step of his mythical American journey. It is this “cultural pessimism”, the matrix of “decline”, that marks his life forever, even if the “springtime” with which he was formed is omnipresent: Le Corbusier and Picasso, the modernists like baroque angels, the modernism that then fluttered and rebuilds his beloved Brazil; and Fernando Pessoa, who was decline and ascension in reverse order, with an entourage of heteronyms to deal with the complexities of life.

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References

Costa, Alexandre Alves. Sentido ou falta de sentido do ser português. Orações de Sapiência. Porto: Faculty of Letters of the University of Porto, 2016.

Lourenço Eduardo. “Even today the Portuguese go around the world picking up the bones of the Empire.” JA-Jornal Arquitectos, no. 237 (October-November-December 2009): 47 (“Ser Português”, Collection and setting of the text by MGD, AVM, JF).

Távora, Fernando. “Escola Primária do Cedro, Vila Nova de Gaia.” In Luiz Trigueiros, ed., Fernando Távora, 86-90. Lisbon: Editorial Blau, 1993.

Távora Fernando. Diário de “bordo”, 1960, original manuscript. Porto: Fundação Marques da Silva/Arquivo Fernando Távora.

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Published

2024-07-24

How to Cite

Figueira, J. (2022). Profession: Távora. Histories of Postwar Architecture, 5(11), 88–95. https://doi.org/10.6092/issn.2611-0075/19734